The Law Against Capoeira
One incident brought to an end Sampaio's relentless pursuit of the capoeiristas.
He arrested a man named Juca Reis, a member of the gentry, for practicing
Capoeira and demanded that he be expatriated. This caused a crisis for
the government for the members of the president's cabinet opposed this
action because Juca's father was well known and favored by many politicians.
The president called a special meeting of his cabinet, and after eighteen
days, two important members of the cabinet resigned and Juca was expatriated.
After this event, change was expected in the behavior of the Capoeiristas.
But the change was in their favor. The opposition to the government
created a black militia to disrupt the president. This militia was formed
exclusively of Capoeiristas and they spread fear in the capital. The
police were ineffective against them and just as the situation was becoming
desperate, Brazil went to war with Paraguay. The black militia was sent
to the front and suddenly the outlaws became national heroes. And Capoeira
entered another phase in its history.
Mestre Bimba
The law that prohibited the practice of Capoeira
was still in effect until 1920, and capoeiristas from Bahia were under
attack from police chief Pedro de Azevedo Gordilho. Gordilho used his
cavalry intensely and was considered the number one enemy of Capoeira
in Bahia. Under strong pressure throughout the country, Capoeira became
a much less aggressive pastime, its practice disguised as a "folk
dance." In their hidden places, capoeiristas did their best to
keep the tradition alive, and by presenting it as a folk art, they made
the practice of Capoeira more acceptable to the society.
In those years it was very common for a Capoeirista to have two or three
nicknames. The police knew all the Capoeiristas by these names and not
by their real identity, so it made it much more difficult to arrest
them. (This tradition is continued today. When a person is "baptized"
into the practice of Capoeira, they are given a nickname.)
In 1937, Mestre Bimba (Manoel dos Reis Machado), one of the most important
masters
of Capoeira, received an invitation from the president to demonstrate
his art in the capital. After a successful performance he went back
to his home state and with the government's permission, opened the first
formal Capoeira school in Brazil in 1939. It was the first step towards
a more open development, and years later the senate passed a bill establishing
Capoeira as a national sport. Capoeira then proceeded to evolve and
was spread throughout the world. Capoeira is still gaining more recognition
these days, through the practice and media.
Mestre Bimba was the creator of Capoeira Regional (Luta Regional Baiana).
It was created in reaction to the sloppy street Capoeira of the twenties.
Regional emphasizes on the fighting aspects of the art. Mestre Bimba
wanted to legitimize Capoeira as a from of self-defense and an athletic
game, improving the technical quality of movements and creating training
sequences. He used techniques from a rough type of dance-fight called
Batuque, that he learned from his father Luiz Candido Machado. The main
innovation of Mestre Bimba's style was the cintura desprezada, which
means casual use of one's waist in throwing with ease. Application of
this technique is a sequence of acrobatic throws trained recklessly
without spotting to help students lose their fear of falling.
"When you strike a martelo, kick to break your own foot; when you
throw a galopante, punch to break your hand; and when you throw someone
with the head to the floor, do it to make a big hole in the cement"
-Mestre Bimba
While no one would deny the tremendous African influence on Capoeira,
nothing is really known about a form of Capoeira originating in Africa.
All that is written on this subject is based on speculation. The earliest
known historical record of Capoeira as a martial art is approximately
1770, long after early years of slavery. No further accounts of Capoeira
are found until the early 1800's in the form of various police records
from Rio de Janeiro.
"Capoeira is whatever the mouth eats" -Mestre Pastinha
Capoeira is called by many names: Capoeira Regional, Capoeira Angola,
jôgo de Capoeira, brincadeira de angola, roda de capoeira, capoeiragem,
malandragem and vadiação

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